Here's a list of events for pagans, witches and those with similar interests over the next couple of weeks. I mainly include in-person things in or near London, because that's where I'm based, as well as online talks and workshops you can do anywhere (bolded for easier identification) and some bigger events further afield.
Wednesday, 22 April 2026
Magical Online & London Events in the Next Weeks
Tuesday, 21 April 2026
Music: Scream! - A Passionate Song for Earth Day
I'm delighted to share Scream!, a call to action for Earth Day, which is Wednesday 22 April in 2026. The link and info were sent to me by Pagan musician Alexian, who is based in Oviedo, Florida, USA.
Released for Earth Day, Scream! is a poignant single with an urgent environmental message. The track aims to resonate with listeners across the globe who are concerned about climate change and ecological damage.
"Art is the whisper that becomes a roar when words are not enough," said Alexian. "With 'Scream!', we give voice to the planet's cries for help amidst the silence of complacency."
Written over two decades ago but relevant today, “Scream!” offers an emotional narrative on humanity's impact on nature. The timing aims to galvanize listeners into awareness and action.
"In moments where destruction feels inevitable, music offers both solace and solution," said Alexian. "We must recognize art’s potential as a catalyst for transformation, both personal and planetary."
More than just another addition to his repertoire, “Scream!” exemplifies Alexian’s aim to art that transcends entertainment by fostering spiritual connection and introspection. It taps into global conversations around Earth Day, period marked by reflection on human-environment interaction.
You can find it here: www.AlexianMusic.com/scream
What are you doing for Earth Day?
On Wednesday 22 April, if you are in London you could take part in an Earth Day Ceremony with Sacred Earth Activism, Faith Bridge, Red Rebels, XR, Safe Landing and Movements. It starts at 10.30am in Trafalgar Square, London, with gentle march toward Parliament Square . There's more info here: https://www.facebook.com/SacredEarthActivism
Due to work, I won't be able to take part in the march or ceremony, but I will do something I've often done before, which is clear up the scattered litter in my street and put it in the recycling. It's a small thing, but everything anyone does helps a bit.
Previous related posts
https://www.badwitch.co.uk/2022/04/earth-day-our-roots-reach-by-imelda.html
https://www.badwitch.co.uk/2021/04/spells-earth-dragon-drumming-chant-for.html
https://www.badwitch.co.uk/2013/04/celebrating-earth-day-with-hymn-to-gaia.html
https://www.badwitch.co.uk/2011/04/festival-of-week-earth-day.html
Monday, 20 April 2026
Book Excerpt: Love Philtres - Magicis Materiae of Witches
Ethics Governing Love Magic
One of the enduring dichotomies of the use of love potions is whether they may be cast with a genuine desire to enhance and direct an individual’s loving emotions toward another, or whether their use is a planned and deliberate attempt to coerce, entrap, or subjugate an unwitting individual, by someone wishing to manipulate and control them. The simple answer to this prevailing question is that, like all other forms of magic, Love Magic’s purpose and use is ultimately dependent upon the integrity of the adept employing it. Without exception, every aspect of magic is open to deliberate abuse, distortion, and exploitation. Similarly, every element of magic may be misused unintentionally, through the ignorance or lack of experience of the newly initiated adept. For millennia, the teacher–learner paradigm of the Druidic tradition has ensured that no neophyte can inadvertently misuse their burgeoning powers. However, there are no safeguards to prevent an experienced adept who is fully conversant with the ethics governing the use of all Love Magic from deliberately misusing the powers and knowledge they possess.
With this in mind, I make no apologies for choosing this section on the ethics and dangers of Love Magic as the first that readers encounter in this book, and I have little doubt that it may also be the most contentious. Since the earliest mention of the use of Love Magic recorded in the cuneiform tablets of the ancient Near East around 2300 BCE, we see repeated examples of the use of Love Magic as a means of coercion and entrapment, in a way that would most certainly be considered inappropriate, if not illegal, in the majority of today’s societies. While it may be easy to demonize the use of animal organs, human corpses, and many of the other bizarre substances used in these early love philtres, it should also be remembered that the borders between magic, religion, and nascent science were nonexistent when these early accounts were recorded some 4,300 years ago, and that the social and cultural mores of the time were very different from today’s.
While the use of the “blood from a blind infant, the flesh of a dead brigand and the black dust from a decomposing tomb” are recommended ingredients of a love potion devised by the Italian Girolamo Folengo (1491–1544 CE) in his “Le Maccheronee” (1519 CE),1 this does not mean that such materials would be considered acceptable ingredients for a modern-day love philtre. However, does this imply that using love philtres per se must be dismissed out of hand, even if other, more palatable (and legal) ingredients were to be employed? Furthermore, just because the infamous Bavarian physician and alchemist Albertus Magnus (c. 1200–1280), also known as St. Albert the Great or Albert of Cologne, recommended that a particular love charm should be “given to her to drinke when she knoweth not, and she shal desire no other man,”2 does this therefore suggest that all love philtres, or “love charms” as he refers to them, must be administered secretly without the knowledge of the subject for them to be effective?
Historical accounts drawn from ancient Greece, classical Rome, the Near East, and other arcane sources, tell us that such philtres and potions were used by scheming, manipulative individuals who would cast a spell upon an unsuspecting ingenue for their own malevolent purposes. Few if any of these spells appear to have turned out well. Medieval texts and later references from Shakespearean literature reinforce the sinister aspects of the use of such love philtres, once again with predominantly dire consequences. It must be noted, however, that these historical and literary references surely represent a very small proportion of the many, many occasions when love philtres were used, and moreover, we have no reliable information on the success or failure of the efforts that went unrecorded. One thing is consistent across all these accounts, however, which is that none of them suggest that the recipients/victims knowingly consented to the administration of the love philtres.
There is not a single account that may be interpreted as: Girl meets boy. Girl falls in love with boy. Boy is not so keen. Girl says to boy, “I’ve made this special drink that I believe will make you love me deeply, even though you may not want to. Will you drink it please?” Boy replies, “That seems like a good idea! Pass me the bottle!”
No matter how hard you try, it seems impossible to interpret any of these ancient accounts as anything other than coercion when viewed within today’s societal mores. Having said that, it seems unlikely that a person with little or no affection for another would willingly consent to taking a draft that would alter their feelings in such a profound way, sacrificing their own free will to the whims of someone who, by definition, they have no real affection for. Taking a love philtres by mutual consent seems an extremely unlikely (and infrequent) event. Does this then leave us with a definition of all love philtres as being solely malevolent potions that may only be used for unwitting coercion and entrapment? This takes us to the core of the love philtres dichotomy: are they malevolent, manipulative concoctions used for ill intent, or may they be innocuous, beneficial philtres, innocently used to amplify and direct existing, unrecognized emotions with harmless and loving intent?
It is imperative that these challenging ethical dilemmas be considered and resolved by anyone intending to craft and use any form of Love Magic in today’s world.
About the Author
Jon G. Hughes is from of a lineage of Druids that has been practicing for five generations in a remote area of Wales. He is now teaching the tradition at his home in western Ireland and gives workshops and seminars throughout Europe under his Welsh name, Cynon. Author of Sexual Practices of the Druids, he is the director of the Irish Centre for Druidic Practices.
Love Philtres is published by Inner Traditions International and Bear & Company, © 2026. All rights reserved. http://www.Innertraditions.com Reprinted with permission of publisher. Available wherever books are sold.
https://www.badwitch.co.uk/2026/03/flower-folklore-hyacinths-and-tragic.html
https://www.badwitch.co.uk/2025/02/a-reading-balance-v-inbalance-in-lovers.html
https://www.badwitch.co.uk/2023/05/strawberries-fruits-of-may-in-magic.html
https://www.badwitch.co.uk/2022/09/pagan-eye-goddess-aphrodite-at-feminine.html
Friday, 17 April 2026
Pagan Eye: Samurai Goblin Helmet at the British Museum
The helmet on the right depicts a Japanese mythological creature. I took the photo at the Samurai exhibition currently on at the British Museum. Here's the details about the two items of head gear:
"Helmet designs could be inspired by nature, myth, or the wider world. These helmets are formed to represent the mythological tengu goblin... The cylindrical brimmed hat shows how the arrival of European objects...also inspired new designs."
The Samurai is an iconic figure, evoking images of formidable fighters possessing ideals of courage, honour and self-sacrifice. The exhibition shows how much of this is actually invented tradition, but I was fascinated by the amount of mythology and spirituality that inspired customs and designs.
The Samurai exhibition runs until 4 May. The British Museum is at Great Russell Street, London WC1B 3DG. Adult tickets are £25 but members get in for free. Find out more here: https://www.britishmuseum.org/
Pagan Eye Posts
On each of my Pagan Eye posts, I show a photo that I find interesting, with a few words about it. If you want to send me a photo for a Pagan Eye post, please email it to badwitch1234@gmail.com Let me know what the photo shows and whether you want your name mentioned or not. For copyright reasons, the photo must be one you have taken yourself and you must confirm that you are submitting it for A Bad Witch's Blog.
Previous Related Links
https://www.badwitch.co.uk/2026/03/pagan-eye-gods-from-hawaii-at-british.html
https://www.badwitch.co.uk/2025/05/british-museum-exhibits-ancient-india.html
https://www.badwitch.co.uk/2026/03/pagan-eye-woodland-witch-from.html
https://www.badwitch.co.uk/2024/02/pagan-eye-roman-dragon-standard-at.html
https://www.badwitch.co.uk/2023/05/exhibition-gods-goddesses-in-luxury.html
badwitch.co.uk/2022/09/pagan-eye-goddess-aphrodite-at-feminine.html
Thursday, 16 April 2026
Review: Shadow Seer Tarot - Dark Archetypes
“The Shadow Seer Tarot deck and guidebook give methods to see through the blind spots of ordinary tarot readings into the heart of what is often hidden. Using Hermetic principles, Maja D’Aoust defines oppositional energies as they relate to the cards of the tarot. With the alchemical method of reconciliation through opposition, she looks deeper into the familiar meanings of the Major and Minor Arcana to give readers insight into the shadow energies at work in their lives to reveal a path toward wholeness. By inverting the archetypes and revealing their shadow side, or “darchetypes,” Maja opens portals of understanding to the bad behaviors that we often attempt to conceal, repress, or deny.”
The artwork on the cards is white line drawings on a black background, emphasising hands, faces and eyes. These are important to human communication. Maja D’Aoust writes that the art was inspired by a visionary journey to the underworld and seeing the images of hands in ancient cave paintings. Our hands are a major part of how we identify as humans, and the physical way we manipulate the material world.
While I like the artwork, and understand the symbolism, what impressed me most were the words in the book giving definitions of the cards and suggestions on how to work with them. I'll be continuing to use the deck for personal guidance going forwards.
You can view the Shadow Seer Tarot on Amazon as well as on Inner Traditions' website, linked to above. It is officially published in May 2026, and is available for pre-order, but I was lucky enough to see a preview copy for review.
(Please note: I earn commission from some links)
Previous related posts
https://www.badwitch.co.uk/2015/03/friday-13-solar-eclipse-death-tower-and.html
https://www.badwitch.co.uk/2026/01/art-theatre-deli-tarot-supporting.html
https://www.badwitch.co.uk/2022/11/ithell-colquhouns-taro-at-college-of.html
https://www.badwitch.co.uk/2023/02/book-excerpt-nature-of-astrology-by.html
https://www.badwitch.co.uk/2023/07/book-extract-runes-and-astrology-by.html




.jpg)


















