Showing posts with label air. Show all posts
Showing posts with label air. Show all posts

Thursday, 16 July 2026

Upcycling Crafts: A Pretty Paper Hand Fan

Hand fans are the essential accessory in this summer's heatwave. I made the one in the picture by upcycling a pretty picture from an old calendar. 

You need a square or oblong of paper that's at least 30cm wide and reasonably stiff. That's what my calendar was. A bit wider would probably be better. Ideally pick something that looks pretty to make you feel happier when you use it.

As well as paper, you need a ruler, scissors, string or yarn, and ideally an old-fashioned "dolly" type clothes peg for the handle. If you don't have a peg you could use two sticks - even upcycle a pair of ice lolly sticks.

Measure your paper and mark it evenly across the top and bottom at distances that are the same width as your peg or pair of sticks. For me, that was every 1.5cm. Fold the paper in concertina folds at each mark. I found it best to score an indentation from top to bottom using the ruler and blunt side of the scissors before doing the folding.

Put one end of the folded paper into the opening in the peg or sandwich it between two sticks. Bind the paper in place by wrapping yarn tightly around and tying it in place. This forms a good handle. Gently open out the top of the concertina'd paper a bit so you can then use it as a fan to cool down.

You could also place a fan at the eastern quarter of a ritual circle to represent the element of air, and use it to waft incense when doing magical cleansing.

You can find more ideas for seasonal makes in my book Pagan Portals - Rounding the Wheel of the Year, published by Moon Books.


Previous related posts
https://www.badwitch.co.uk/2025/03/craft-turning-coffee-tin-into-storage.html
https://www.badwitch.co.uk/2026/03/upcycling-crafts-paper-flowers-from.html
https://www.badwitch.co.uk/2026/05/poppet-craft-pipecleaner-and-clothes.html

Tuesday, 26 November 2024

A Reading: Breathe from the Wisdom of the Oracle

I drew a card as a reading for the world from the Wisdom of the Oracle. It said "Breathe". The essential meaning is not to rush into things. Be patient, wait your time, take a deep breath or several.

There seems to be too much going on right now in all aspects of life. Quite apart from the start of the rush to get ready for the festive holidays, there are so many things clamouring for action and attention. Many of us also have personal problems. It is easy to feel overwhelmed.

The message this card is giving is that breathing can help. Of course we all need to breathe to stay alive, but consciously taking a deep breath or two can help us relax and feel less stressed. You can do more than that. Go outside, if you can, and take a walk in nature. Breathe in the fresh air, let it help you clear your thoughts. Try meditating, using your breath to help you be in the moment, and appreciate the positives rather than focusing only on the negatives. Doing this can revive you and help you feel more ready to tackle what needs to be done.

If you want to learn more about the Wisdom of the Oracle deck, you can read my review here: http://www.badwitch.co.uk/2015/09/review-wisdom-of-oracle-divination-cards.html

Online Evening Classes in Scrying

On Wednesday 27 November and 4 December I'm running a two-part online evening class on Scrying: Divination Using Crystals, Mirrors, Water and Fire via the College of Psychic Studies. Each workshop starts at 7pm. Tickets are £75 for the entire course. You can find more details and book here: https://www.collegeofpsychicstudies.co.uk/workshops/psychic-training/scrying-divination-using-crystals-mirrors-water-fire/

Other Previous Related Posts

http://www.badwitch.co.uk/2024/10/a-tarot-reading-for-world-with-witches.html

http://www.badwitch.co.uk/2024/11/i-bought-pendulum-at-college-of-psychic.html
http://www.badwitch.co.uk/2024/09/divination-joseph-beuys-from-art-oracle.html
http://www.badwitch.co.uk/2024/08/tarot-for-day-9-of-winter-from-animal.html

Wednesday, 5 June 2013

Spells: Weather Magic, Wind Knots and Knot Spells

David, who reads my blog, sent me an interesting question about weather magic. He said: “I was wondering if you could give me a few good tips on making wind knots. I've been looking online, but I wasn't sure if it seemed legit. It would be great if you could help.”

Wind knots are definitely documented as a practice in traditional magic. In Traditional Witchcraft for the Seashore, author Melusine Draco states:
“Beneficent witches... were often called upon to provide a weather spell in the form of a knotted string. The following was recorded c1350 in the Polychronicon by Ranulph Higden: ‘[In the Isle of Man] witchcraft is exercised much, for women there be wont to sell wind to the shipmen coming to that country, as included under three knots of thread, so that they will unloose the knots like as they will have the wind to blow.’”
In Forbidden Rites author Jeannette Ellis states: “There are legends of Witches selling three knots in a rope or a lock of their hair to sailors, undo one for a breeze, undo two for good wind but three would cause a gale.”

The idea of tying knots in rope, string or hair as a spell is not exclusive to weather magic. Knot spells can be cast for pretty much anything, usually by tying nine knots in a cord while saying something along the lines of: “By the knot of one, this spell is begun. By the knot of two, my spell comes true. By the knot of three, so mote it be. By the knot of four, power I store. By the knot of five, my magic is alive. By the knot of six, this spell I fix. By the knot of seven, this spell I leaven. By the knot of eight, if it is fate. By the knot of nine, what I wish is mine!” That example comes from The Green Wiccan Year, but you can find variations easily online and in many spell books.

The difference is that with the nine-knot spell you are tying a purpose into the cord and would not normally undo the knots unless the spell was truly over and done with, but wind knots are created with the intention of eventually undoing them to summon, or perhaps release, the wind.

Wind magic features in the Homeric poem The Odyssey, although it is described as a wind bag rather than a wind knot. As part of his epic journey home from the Trojan Wars, Odysseus and his crew stay with Aeolus, the master of the winds. He gives Odysseus a leather bag containing all the winds except the west wind, to help them have a safe return home. However, the sailors opened the bag while Odysseus slept, thinking it held gold. All the winds flew out, resulting in a storm that drove the ship back, just as their home country came into sight. That is a lesson to always be cautious when using any magic.

Although I can’t find the traditional wording witches used in the past to create wind knots I would suggest saying the following while tying three knots into a piece of ship’s rope: “I ask the blessing of Aeolus, Ruler of the Winds, to harness into this cord the power of the storm: In the knot of one, a breeze begun; In the knot of two, good winds and true; In the knot of three, a gale to see.”

David, I hope that helps answer your question. If you try it out, be careful to only summon a gentle breeze or useful wind, not a destructive storm!

Links and previous related posts
http://www.badwitch.co.uk/2012/03/review-traditional-witchcraft-for.html
http://www.badwitch.co.uk/2009/09/review-forbidden-rites-introduction-to.html
http://www.badwitch.co.uk/2008/11/book-of-shadows-for-wiccan-year.html
http://www.badwitch.co.uk/2009/02/spells-to-find-new-job.html
http://www.badwitch.co.uk/2008/03/storms-and-spring-tides.html
http://www.badwitch.co.uk/2008/03/meditations-on-element-of-air.html


Tuesday, 29 May 2012

Review: Angel Tarot Cards by Doreen Virtue


Whenever I get a new tarot deck the first thing I do is glance through the cards to get an overall impression of the deck, then shuffle and pick one. I do that before reading the book that comes with them or even the blurb on the back of the box. I trust my instincts to tell me whether a deck will work for me far more than what anyone else has to say about it.

I instantly knew I'd be using my new deck of Angel Tarot Cardsa lot. And that slightly surprised me.

The Angel Tarotis the latest divination set by Doreen Virtue, with co-creator Radleigh Valentine. Doreen Virtue is best known as an angel expert. She is the author of numerous books and divination sets on mind-body-spirit themes, including Healing With The Angelsand The Angel Therapy Handbook.

I've enjoyed using some of Doreen Virtue's earlier divination decks - including reviewing her Archangel Raphael's Healing Oracle Cardsfor Magical Times- but generally found them a bit too light and fluffy for in-depth readings. I normally use a traditional tarot set that can show me the troubles that lie ahead rather than concentrating on the positive aspects of life - if there's a wasp in the room, I like to know where it is before it stings me.

But there's an exception to every rule and, for me, that exception is the Angel Tarot. It manages to keep the full power of a traditional tarot deck but transforms potentially scary cards - such as the Devil or the Tower - into forms that are less frightening, but which lose none of their underlying meaning For example, the Devil becomes Ego in the Angel Tarot and represents being entrapped by unnecessary anxieties and attachment to material things; while the Tower becomes Life Experience and indicates a wake-up call that a situation can no longer be ignored. Frankly, these are the interpretations I have always given to these cards - renaming them makes their meaning clearer.

Publisher Hay House says on its website: "Tarot has long been revered for giving detailed and accurate forecasts. Doreen Virtue and Radleigh Valentine have created the first deck of tarot cards that is 100 percent gentle, safe and trustworthy! All of the words in this deck, as well as the artwork by Steve A. Roberts, are positive and beautiful, while still retaining the magical effectiveness of traditional tarot."

In the Angel Tarot, the Major Arcana are represented by one of the 15 principle archangels as well as mostly having recognisable tarot names such as the Magician and the Lovers. All the cards also have a single sentence description of what the card means. The minor arcana, instead of being called Coins, Swords, Wands and Cups, are named after the elements they represent - Earth, Air, Fire and Water. These are depicted with paintings of  fairies for Earth, unicorns for Air, mermaids for Water and dragons for Fire. The artwork, by fantasy artist Steve A. Robert is gorgeous and really makes you want to use the deck if only to see the lovely images.

But the main reason I know I'll be using this deck a lot in future, is the accuracy of that first reading I did for myself with the first card I drew from the pack. It was the 10 of Fire (pictured left) and it told me I am working too hard. I need to get a better work life balance. Spot on. And almost identical to the reading I got a month ago when I reviewed The Fool's Wisdom Oracle Cards. Time to book a holiday, I think, but I'll definitely be packing the Angel Tarot in my suitcase when I set off to relax on sunny shores.

The Angel Tarot Cardsboxed set was published this month by Hay House and can also be ordered through Amazon.


Links and previous related posts
http://www.hayhouse.co.uk/
Angel Tarot Cards
http://www.badwitch.co.uk/2012/05/review-fools-wisdom-oracle-cards.html
http://www.badwitch.co.uk/2009/08/constipation-and-chakra-clearing.html
http://www.badwitch.co.uk/2011/03/review-fallen-angel-oracle-cards.html
http://www.badwitch.co.uk/2012/05/soul-centred-transform-your-life-with.html
http://themagicaltimes.com/
http://www.angeltherapy.com/
http://www.magicalthings.com/
http://www.fantasy-graphic.com/
http://www.HayHouseRadio.com

Saturday, 22 November 2008

Fire in the sky

I watched an amazing sunset from the clifftops south of the New Forest, where I am away for the weekend. The sky was full of reds and oranges, while the sea below reflected blue and purple and in the distance the lights twinkled from from a nearby coastal town that was cast in shadows.

It was breathtaking and awe-inspiring. It seems hard not to believe that world and the heavens are full of magic when you see sights like this.

At one point it seemed there were strange fiery litters written along the edge of a dark cloud - although I realise it must have been some strange trick of the light from the setting sun. The photograph I took shows this, although not quite in the sharp detail it appeared when I saw it. It can be very difficult to capture things like sunsets, even with quite a good camera.

I wonder if that same principle is part of the reason that cameras are not normally allowed in magical rituals. If you looked at the photos afterwards, it might just destroy its effect because it wouldn't look the way it seemed at the time.

Sunday, 23 March 2008

Ideas: A guided visualistion

Here is a guided visulation. When I sat down to write it I intended it to be about the element of air but when I finished I realised it was really about something else.

If you want to try it, sit down somewhere you will be undisturbed, take a few deep breaths and read through it, pausing where necessary to visualise your own journey.

Ideas: a guided visualisation
It is morning. You are sitting in a pleasant and familiar spot out of doors enjoying a few moments alone with your own thoughts before starting your chores for the day. You look around, enjoying the sights, sounds and smells of this place, where you feel comfortable and at ease. Spend a few moments taking this in...

As you are sitting and thinking, a fantastic idea comes into your head. You rummage around and find a scrap of paper and a pencil to jot down the bare bones of your idea before you forget it. Then, just as you have finished writing that brief note, a sudden gust of wind pulls the piece of paper from your fingers and it tumbles across the ground away from you.

You get up and go after it but, just as it seems to be within reach, another gust of wind blows it further away.

You continue to follow the piece of paper, but never quite seem to catch up with it.

At first you are lead over familiar paths and alleys but after a while you find yourself in an area you do not know.

It is necessary to make a decision. You are certain that unless you recover your idea, you will not be able to remember it sufficiently to make use of it. However, if you continue to chase it you might get lost and waste valuable time in which you should be getting on with other things. It is necessary to decide quickly.

If you decide to give up, then retrace your footsteps back to your safe and familiar spot, and then end the meditation there.

If you decide to continue, then go onwards, following your idea down unfamiliar lanes even though at times it is almost out of sight.

Continuing to follow your idea, you travel for some time. Eventually you come to the foot of a steep hill and your piece of paper is being blown up it, even though this might seem strange.

You make your way up the hill - the hardest part of your journey so far. The hill is very steep and at times the wind seems to push you in one direction while your idea is blown in another.

At last, you make it to the top. You stop to catch your breath. The view is amazing. Below you, you can see the familiar places you have left behind, the streets and paths you took to get to the hilltop. You feel a sense of achievement in getting this far and realise that the journey was worth it, even if just for what you have experienced and seen. Yet, you still want to recover your piece of paper and, for the moment, you cannot see it.

You look around. It is not nearby; neither does it seem to have blown down the other side of the hill. You look upwards and, to your amazement, see the piece of paper spiralling upwards into the sky above your head.

At a loss for what to do, you look around for any means of assistance. Then you realise you are not alone on the hilltop. You are being watched in a way that seems to tell you that help might be at hand.

Approach the being, creature or creatures you have seen and ask them for help or advice. Then listen to what they have to say as they explain to you the means of travelling upwards into the sky after your idea.

You thank them for their advice, and then do what you have been told. Spend time making the necessary preparations to travel upwards...

When you are ready, you take off. Soaring upwards through the air, you see the ground below you growing smaller and smaller. You start to pass through a wispy layer of cloud and lose sight of the ground below.

For a while, all is grey and foggy. Then you see light above you and soon pass through the upper layers of the cloud. The sky above is brilliant clear blue and below you is a white carpet of cloud.

But it is what is on top of the cloud that holds your attention – a huge castle like no other you have ever seen before. It is made up of thousands of different parts, of different style – towers and turrets, walls straight or curved, crenulated or flat, flying buttresses, overhanging windows and every type of architectural style you can think of. It is made from all sorts of materials too – stone, wood, iron and steel, bricks and mortar, even strange materials that you do not recognise. All the parts seem to hold together but in such a jumble it is hard to see where one bit ends and another begin. Approaching the castle, you are just in time to see a piece of paper fly in through one of the tiny upper windows.

You land close to the entrance to the castle – a huge portcullis – and a guard stands in front of it.

“Halt!” says the guard. “Who are you and what is your purpose?” Think carefully how you will answer, then persuade the guard to let you enter.

Having gained permission, you enter the castle and find you are free to explore. You wander through its courtyards and corridors, up spiralling stairs and huge sets of steps, along narrow corridors and long galleries, through huge halls and bizarre chambers. Inside even more than out, the castle is a patchwork of different pieces cobbled together, none complete in their own right and none of it totally stable. Here and there you see craftspeople patching up holes with bits and pieces that don’t really seem to be of the same style, material or even function.

All the time, you are searching for your lost idea. After a while you climb a narrow staircase and open a small door onto a tiny chamber. Inside, someone is sticking a collage of paper to the walls. They have a tub of paste and a basket of scraps of all different thicknesses and colours. In their basket, you see your own piece of paper. The worker reaches to pick it out of the basket and daubs paste on their brush.

Quickly, you must decide what to do or say to retrieve your paper before it is stuck on the wall and becomes part of the castle forever – just one more lost idea.

As soon as you have your paper in your hand, the entire castle shifts and changes all around you. The walls and floor dissolve and then reshape themselves and instead of being in a small room, you find yourself just inside the entrance of a massive hall. It is full of light that streams through tall stained glass windows. The roof of the hall is open to the blue sky above and in the air above your head miniature shapes made out of the stuff of clouds hover. These shapes seem to be all sorts of dreams, ambitions and ideas that people have had over the ages, which are being demonstrated before you.

You also become aware that you are not alone. In the distance, on a dais at the far end of the hall you see a figure that you know to be the guardian of this castle. You approach the guardian; giving them the greeting that you feel is right.

“You have come a long way,” says the guardian, “But before I can give you my help, you must hand me your idea.”

Spend a few moments overcoming any reluctance you have in trusting the guardian and hand over the thing you have struggled so hard to retrieve.

The guardian takes the paper, tears it into tiny little pieces and then throws the pieces in the air. The confetti of paper swirls about, dissolving and reforming into a perfect image of your idea – complete and whole in appearance but as yet insubstantial. You spend a while staring at it, and realise that you know enough to make your idea whole in the real world. Spend a few moments talking with the guardian.

The conversation draws to a close and the guardian leans forward and hands you one small thing – something that you can take back with you that will help you.

You thank them, and you realise it is time to go. The guardian blows a breath of air towards you, and again the castle around you dissolves.

When the land reforms, you realise you are back in your familiar place, in the real world. You also realise that it is still early. The day is ahead if you and you have time to do your chores and also start to work towards realising your idea.


You can find more guided visualisations in my book Pagan Portals - Guided Visualisations.



Thursday, 20 March 2008

Meditations on the element of air

Last year I made a commitment to write meditations for each element and, on the Winter Solstice, I posted my guided visualisation for earth on my blog.

Spring Equinox was the time for me to do a meditation on the element of air and I tried to write something similar to my previous one. However, my first attempt took me in a different direction. It was a guided visualisation in the same format and had airy themes, but the underlying focus seemed to be more about creativity. Creativity is important to me with my writing and photography and I think that must have been on my mind at the time.

The guided visualisation I came up with is probably valid in its own right, although it needs a bit more work, and I will publish it on my blog when I am happy with it.

However, a few days before the Spring Equinox I was still without an air meditation. I needed to come up with something that encapsulated my thoughts and feelings on the element of air and I started to think up a few images. Then I realised they were a meditation of sorts - not a guided visualisation, but appropriate. Here it is:

Air Meditation

Sit in a quiet place, take a few deep breaths and spend a few
moments contemplating each meditation in turn:

Summer evening;
The warm scent of climbing flowers;
Music.

Autumn
Flocks of dead leaves dance in the wind.
It tugs at you to join them.

Winter's night
A storm howls in the darkness
You hear its hunger

Spring;
Clouds scud across an open sky.
Early birds fly back to nest.

Sounds outside
an open window
The words of a stranger change your life.
After you have finished, take another deep breath and remain still for a few moments.

After writing those words I realised they were rather like Haiku, although the traditional Japanese poems have 17 syllables and mine aren't that exact. I guess I'm a bad poet as well as a bad witch.