Showing posts with label spiritualism. Show all posts
Showing posts with label spiritualism. Show all posts

Monday, 11 November 2024

College of Psychic Studies: Intuitive Art & Spirit Portraits

I had a fabulous time at the College of Psychic Studies weekend of Divination and the Esoteric. The photo above shows June-Elleni Laine demonstrating spirit portraiture in the first event on the programme, on Saturday morning. 

She gave a talk explaining how she does portraits of spirits using the same techniques as scrying. This includes letting your intuition and psychic senses detect images that might not be apparent to the naked eye. My own talk was next, and was on scrying with crystal balls, mirrors and water. It was really interesting to first hear about using similar techniques in an artistic way. I usually take notes when I do divination, but next time I might try sketching what I see instead.

Other topics covered on the Saturday were handreading, numerology and animal communication. Sadly I wasn't able to be there on the Sunday, and missed talks on automatic writing, tarot, runes, remote viewing, and dowsing. As well as the talks and demonstrations, all the in-person attendees got a lovely goodie bag containing a magazine, incense sticks, a pen, and a programme. The College put on a sumptuous tea in the beautiful library in the afternoon too.

Online evening classes on intuitive art and scrying

June-Elleni Laine will be teaching an 8-session online evening class course called Intuitive Art: Develop Psychic Ability in February 2025. You don't need to be good at drawing or painting, but will learn to draw unseen energy and information that sits on the very edge of consciousness, and use it to boost creativity, intuition and wellbeing. You can find out more here: https://www.collegeofpsychicstudies.co.uk/courses/psychic-training/intuitive-art-develop-psychic-ability/

On Wednesday 27 November and 4 December I'm running a two-part online evening class on Scrying: Divination Using Crystals, Mirrors, Water and Fire via the College of Psychic Studies. Tickets are £75. You can find more details and book here: https://www.collegeofpsychicstudies.co.uk/workshops/psychic-training/scrying-divination-using-crystals-mirrors-water-fire/

Previous related posts

http://www.badwitch.co.uk/2024/06/art-seeing-beyond-veil-college-of.html
http://www.badwitch.co.uk/2023/10/pagan-eye-jolly-skeleton-at-cps-for.html
http://www.badwitch.co.uk/2022/11/ithell-colquhouns-taro-at-college-of.html

Tuesday, 8 October 2024

Seance with a Skull from my Gothic Novel Erosion

October is the perfect month to read Gothic fiction. Here's an extract from Erosion, my novel that was published earlier this year. This scene is when a group of friends attempt to contact the spirit of an ancient skull:

Seance with a Skull

We didn’t have a Ouija board, but we knew how to improvise. Baz brought a flat board with a smooth surface from the caravan park, Charlie had a Scrabble game she used to play with her grandmother, Jo brought a wine glass with a short stubby stem from the flat. We put the board on the table and on it stuck a circle of Scrabble tiles from A to Z, ‘yes’, ‘no’ and ‘goodbye’. 

When we were ready, we inverted the wine glass and put that in the middle. The lights from the cottage’s stove and oil lamps were always dim. There was no electricity. Charlie reverentially took the skull from her shrine and placed her at one end of the table, facing the board, with a lamp next to her. We sat around the other three sides and put our fingers on the foot of the wine glass. There was a pregnant silence before Charlie spoke.

“Is anybody there?”

At first, nothing happened. Silence except for a few natural sounds from outside: the wind, distant waves and the creak of trees in the wood. Inside the cottage there was darkness all around the circle of light from the lamp, which cast the skull and us, with our fingers outstretched on the spirit board, into a sharp chiaroscuro of dark and light. The empty eye sockets were pools of blackness although I stared into them to see if I could sense some flickering of spirit within. 

“Is anybody there?” Charlie repeated. “If there is, guide our hands.”

Slowly, the glass seemed to move under our fingers. I know I wasn’t pushing it. I’m not sure if anyone else was. It didn’t seem that way at the time, it seemed as though the glass just started to slide of its own volition across the smooth board, slowly, slowly, towards ‘yes’.

It stopped. We looked at each other, but no one said anything for a moment, until Charlie spoke again.

“Are you the spirit of the skull?”

The glass moved slowly back towards the centre, then stopped, then started gently, gradually, circling. Surely no one could be making it do that? Surely? 

“Are you the spirit of the skull? Are you the Bone Mother? Please say yes or no.”

The glass started to move straight again, straight to ‘yes’, then rapidly back to the centre. It stopped. I think we’d all been holding our breath, but felt we could breathe again, deeply, as our heart beats quickened, our eyes still fixed on the glass and our fingers pressing on it. 

“Who are you? What is your name?”

The glass started to move again, tentatively, circling at first, then outwards towards a letter – ‘R’ – then back to the centre. It stopped, then moved again – ‘O’. Back again, then tentatively to ‘S’, then more quickly to another letter – ‘M’. Then it sped up more. Quickly, decisively, the glass went to more letters, ‘O, R, T, A’. Then back to the centre, stopping. 

“Rosmorta,” whispered Zoe.

“Is that a name?” asked Jo, quietly.

“Shhh…” whispered someone, I don’t remember who, but Charlie addressed the spirit again.

“Rosmorta, we welcome you. We welcome you as our guest. But we know this land we are on is yours too; was yours long before it was ours. We ask that you allow us to be your guests too. We wish to honour you, our ancestor of this place, Rosmorta. Will you accept our invitation, and our company, in all goodwill?”

The glass started to circle, slowly at first, then picking up speed. We were struggling to keep our fingers on it, leaning over the table as the glass circled wider and wider and faster and faster. Then as though the circle could no longer hold it, it spun outward, clunking into the tiles stuck on the board, and off the table into the darkness, where we heard it smash against the wall. I looked down. The letters it had crashed through, loosening them as it went, spelled ‘yes’.

We looked at each other, stunned, not knowing what to think, but it was Charlie who gained composure first and spoke.

“Well, I think our invitation was accepted. I think Rosmorta is here to stay.”

I wasn’t entirely sure that was a good thing.


Where to find Erosion

My publisher is Moon Books, an imprint of Collective Ink. You can find Erosion on its website via this link: https://www.collectiveinkbooks.com/moon-books/our-books/erosion-novel This month you can get ebooks half price. If you want to buy the ebook at 50 per cent off until October 31st, 2024, all you need to do is:
  • Click here > https://www.collectiveinkbooks.com
  • Choose your e-book(s)
  • Click 'Add to basket for direct download.'
  • Click on your shopping basket
  • Click on 'Do you have a coupon?'
  • Apply promo code Spooky50 and Validate.
  • Proceed to Checkout.

Treadwell's Bookshop stocks signed physical copies of Erosion, as well as my Pagan Portals titles Candle Magic, Scrying, and Poppets and Magical Dolls. Pop in to Treadwell's Bookshop at 33 Store Street, Bloomsbury London, WC1E 7BS. Here's the website: https://www.treadwells-london.com/

Erosion can be also be viewed on Amazon

(Note: I earn commission for some links.)

Previous related posts
http://www.badwitch.co.uk/2024/04/sea-magic-extract-from-erosion-my.html
http://www.badwitch.co.uk/2024/02/book-news-my-novel-erosion-is-at.html
http://www.badwitch.co.uk/2024/03/poppet-craft-doll-to-do-three-things-at.html
http://www.badwitch.co.uk/2022/07/excerpt-from-naming-god-gods-of-london.html
http://www.badwitch.co.uk/2014/02/excerpt-from-paganism-101-my.html

Saturday, 28 April 2018

Seances, Ectoplasm & Brompton Cemetery at Dusk


I took this photo at Brompton Cemetery yesterday evening after a search for ectoplasm in its newly restored chapel.

To be a bit more accurate, I didn't take part in a practical experiment in material manifestations of spirit - although that would have been very exciting. Shannon Taggart, who has spent the past 17 years doing exactly that kind of thing, gave a fascinating talk called Seance: Spiritualist Ritual and the Search for Ectoplasm.

She illustrated her presentation with slides showing historic photographs of mediums producing ectoplasm and modern images taken by herself. She explained that although most mediums these days communicate with spirits in a way that doesn't involve them turning up physically, there are still some practitioners who do claim to manifest material such as ectoplasm. She had even managed to photograph some of them demonstrating their skills.

The talk was at Brompton Cemetery Chapel in Kensington, and was the first event in the London Esoteric weekend of talks, workshops and entertainment involving the strange and unexplained. It is organised by Antique Beat and you can find the full programme here: https://antiquebeat.co.uk/events/london-esoteric

Monday, 28 November 2016

Seriously Suspicious Conspiracies: Helen Duncan


There have recently been calls to pardon the last woman imprisoned in England under the Witchcraft laws. Her name was Helen Duncan and she was a psychic medium. The details of her life and the case brought against her were the subject of a talk at Assap’s Seriously Suspicious conference on conspiracies on Saturday.

The talk was by Ben Emlyn-Jones and it was called Witchcraft Trial. It was about conspiracy theories and the last person to be sent to jail under the Witchcraft Act. Ben started by saying that he is a conspiracy theorist and, in particular, doesn’t like injustice. What was done to Helen Duncan 72 years ago, he saw as an injustice, but it is still relevant case. Here is a shortened version of the transcript I took of his talk:

Helen Duncan (pictured top right) was born in 1898 and she was a psychic medium – a clairvoyant. She was part of an elite group of mediums - physical mediums. They can affect physical world with things like raps on tables, making objects move and manifesting physical forms, which is what Helen did. Witnesses described seeing ectoplasm, which is a white substance that resembles shapes of people who have died; spirits.

She became one of the most famous in world and travelled all over UK, visiting Spiritualist halls and private homes etc. There are two photos (left) that are obvious fakes with papier mache dummies, sheets and coat hangers. People say these prove she was a fraud, but there is always more than one side to each story. Yes, these are fakes, but were intended as a reconstruction of what Helen Duncan in trance would look like.

Helen operated in an unusual manner to other mediums. There would be rows of seats for sitters, you paid 12s at the door - not cheap - sitters would sit in front of stage, which had a cabinet/cubicle with a seat. Helen Duncan would prepare in another room. It was important to her that people believed her. She would strip and a nurse would check her to say she wasn’t hiding props and also invite female members of the audience to watch the body search.

Then she would move into the cubicle, curtains were drawn and the room was lit by a low-power red bulb. That lighting could be said to hide tricks, but proponents of this said it was done to protect the spirits, which were harmed by bright light.

In 1939 when World War Two broke out, Helen’s fortunes changed. Her services were required. People were very frightened and uncertain. Her business boomed. But, on 25 may 1941, things went wrong. Her spirit guide appeared – one was a man called Albert, an Australian, and another was a young girl called Peggy. At this séance Albert said a British battle ship has just been sunk and that he had 1,400 of her officers with him in spirit. One man in the audience, Brigadier Firebrace, was head of army intelligence in Scotland as well as being a paranormal researcher. He went to his office and checked with a phone call. Initially the reply was no, everything was fine. Then he got a phone call saying that HMS Hood had gone down off Scapa Flow and 1,400 were dead at the time Helen did her séance.

The loss was a major blow to war effort.

Because Brigadier Firebrace had a belief in paranormal and he realised Helen was getting war information from the dead and could possibly reveal classified information, he was worried. His daughter has a letter that he wrote saying there should be intelligence monitoring of Helen.

She carried on her tour. On 24 Nov she was doing a séance in the Master Temple in Portsmouth, which was actually a small room above a chemist’s shop run by Mr and Mrs Homer (modern photo right). Albert said another battle ship had sunk and hundreds of officers were in the spirit world. There were probably intelligence agents in room watching. What made it worrying was that the government had decided to keep the sinking of HMS Barham quiet. It was just after Dunkirk and morale was a major concern. Even some relatives were not informed and secrecy was high, so it is unlikely that Helen had found out by normal means.

She carried on, but she was probably monitored - maybe by enemy agents too. Nothing more was done for three years. She was arrested 19 Jan 1944 in the Master Temple in Portsmouth. She had a conviction for fraud from several years earlier and in that instance she had been fined. This time, instead of getting a fine, she got something totally unexpected and the case escalated. She was taken to the Old Bailey and charged under the Witchcraft Act of 1735, which was about pretending to use witchcraft or sorcery, or pretending to do any occult science.

It was almost first sceptic law as it said that people who claimed to have psychic powers were pretending. It was not common to use this old law by the 1940s. The Witchcraft Act was on the verge of being repealed. However, the judge sentenced her to nine months in prison.

A look behind the original news stories offers a chance to find out what happened. The trial became media sensation and even war stories were second paged.

John Cyril Maude KC prosecuted the case in courtroom 4 of the Old Bailey. Helen had not been given bail – she was a remand prisoner. He was a member of one of the Inns of Court, a senior member, and after he convicted her he was knighted and became an MP. Is this a coincidence?

Sir John Cyril Maude was dealing with two cases. Also, in court 1, he was prosecuting a case of a man on trial for murder in Portsmouth – the Portsmouth chief constable was a witness in both trials. The murder suspect said he was framed and was acquitted.

Maybe the government wanted Maude because he was a wartime intelligence operative charged with tracking sources of rumours. The office he was in would have been employed to keep an eye on Helen.

The presiding judge was also a senior naval officer, so would have been emotionally involved in the case. There is also a letter specifically asking for Maude to preside over prosecuting the case.

One of the most recent books about the case is called Helen Duncan the Mystery Show Trial, by Hartley 2007. It offers evidence that there was a conspiracy to imprison Helen.


It looks as though there was a secret cabal that included Commander Ian Fleming. He was a naval intelligence officer, a member of Society for Psychical Research, an occultist and, of course, wrote the James Bond novels.

There were difference in the way the witnesses for the prosecution and defence reported the events. Prosecution witnesses said they were lured there and saw Helen in a sheet. Two people were put there by the police and said they pulled a sheet off and blew a police whistle. One of them said he was motivated to do that because he was disillusioned by seeing Helen was a fake. He lied under oath. The defence council asked him if he was a member of the intelligence services. He said no, but he was.

The bed sheet should have been a major exhibit in court, but it wasn’t. It got lost – even though two people said they had their hands on it in the police raid. There were discrepancies in the details of how it got lost. There were contradictions in how low the lights were and whether faces were recognisable. Harry Price, the paranormal investigator, coached the prosecution’s witnesses.

The jury found her guilty in half an hour and she was taken to Holloway Prison.

One hypothesis is that she was a real psychic medium or people in government thought she was and constructed a conspiracy to put her in jail because of D-Day, which was being kept very secret. All it took for the secret to come out was if in one of Helen’s séances something came out.

However, why didn’t the government pay Helen off or make her sign the Official Secrets Act?
After she was released, Helen returned to mediumship and the Witchcraft Act was eventually repealed.

There is now a campaign to pardon Helen Duncan. You can find out more here: http://www.helenduncan.org.uk/

Separately, 'ectoplasm' produced by Helen Duncan is currently on display at a museum in Cambridge. You can find out details here: https://exhibitions.lib.cam.ac.uk/curioustrailer/

Other links and previous related posts
http://www.badwitch.co.uk/2010/04/hellish-nell-by-malcolm-gaskill.html
http://www.badwitch.co.uk/2008/12/tv-tony-robinson-blitz-witch.html
http://www.telegraph.co.uk/science/2016/11/02/ghostly-ectoplasm-from-britains-last-witch-on-display-at-cambrid/


Friday, 19 August 2016

Event: Georgiana Houghton: Spirit Drawings Study Day

Spirit drawings are the subject of a one-day symposium at The Courtauld Institute of Art on Wednesday 7 September. The symposium is being held in conjunction with the Georgiana Houghton: Spirit Drawings exhibition, which is currently on there.

The event offers a series of presentations, panel discussions and film screenings, bringing together a range of artists, curators, art historians and historians of spiritualism to explore the connections between art, spiritualism and creativity in the 19th century to the present day.
It is organised by Dr Sarah Victoria Turner (Paul Mellon Centre for Studies in British Art), Simon Grant (Editor, Tate Etc), Lars Bang Larsen (art historian, independent curator, and writer) Marco Pasi (University of Amsterdam), and Barnaby Wright (The Courtauld Gallery).

The day starts with the curators of the exhibition in conversation and is followed by panel discussions on symbolism/abstraction/colour, altered states/creativity and consciousness/ mediumship and the visual, and margins, centres, and webs, as well as films and talks.

The Georgiana Houghton: Spirit Drawings Study Day runs from 10.30am to 6pm on Wednesday 7 September at the Kenneth Clark Lecture Theatre, The Courtauld Institute of Art, Somerset House,
Strand, London WC2R 0RN.

Tickets are £10 general admission and £5 for students, staff/students and concessions, the weblink to book a place is: http://courtauld.ac.uk/event/georgiana-houghton-spirit-drawings-study-day

Pictures: (Top) Georgiana Houghton, The Eye of God, 25th Sept 1862 and (bottom) Georgiana Houghton, Glory Be to God, 5th Dec 1864.

Friday, 30 October 2015

Review: What Dwells Within - Haunted Dolls


A new book called What Dwells Withinis about haunted dolls. It’s subject that has always intrigued me because I've amassed a collection of dolls over the years – some of which you can see in the photo above.

A few I have owned since I was tiny, some have been given to me by loved ones, and they all have sentimental attachment. None of my dolls are haunted, as far as I know, although I like to think some of them have their own personality.

Actually, according to What Dwells Within,“haunted dolls” isn’t really the correct term – and neither is the more scary “possessed dolls”. The correct term is spirit attachment, hence the book’s subtitle: A Study of Spirit Attachment.

Authors Jayne Harris and Dan Weatherer explain what that means in the introduction:
What is spirit attachment if not the very definition of a haunting? It is believed that ghosts haunt areas that the deceased were either fond of or met their demise within, and there are countless volumes dedicated to the documentation of haunted places and the history behind each alleged ghost... If a spirit can attach itself to a place that it once shared a connection with, then why not an object? Why not a favoured item of furniture, artwork or a piece of jewellery? If – like many paranormal enthusiasts believe – a building can record the energy or emotions of an individual and replay that incident at a later date (more commonly known as the stone tape theory), why is it improbable that a wedding ring could hold the essence or emotions of the person who once wore it?
What Dwells Within,is a study of such items - mostly dolls, but also jewellery, a gypsy fortune-telling mirror and a box supposedly used to trap a malevolent entity. But dolls were what originally interested Jayne and for many years she ran a service called Haunted Dolls through which she bought, researched and then sold dolls with spirit attachments. That has since become HD Paranormal Research Ltd, which investigates a wider remit of potential cases.

The book explains the difference between spirit attachment and possession. Possession is when an entity or spirit takes over a person or thing in order to completely control it, but Jayne explains, "Spirit attachment that involves an object relates more in terms of residual energy with elements of individual intelligence remaining after life has expired." The way I prefer to look at it is, if someone hijacks your car, that's possession, if someone hitches a lift in your car, that's attachment.

After giving historical examples and explaining how Jayne investigates dolls, the book offers a plethora of case studies. These include pictures of each one, its past, what was revealed when it was studied, and details of the doll's current location and owner. Occasionally, if the item has a dark or dangerous energy, it is contained or destroyed.

Jayne says most spirits are not dark, they are simply people who have chosen to remain on the earthly plane after death. They do not wish to harm people, they just want to continue to experience the world or to watch over people they are fond of.

What Dwells Within is published by 6th Books and is perfect reading for Halloween. You can also watch a video of a puppet investigated by Jane and Dan here: https://youtu.be/c7cuTZXVdHI

Links and previous related posts
What Dwells Within: A Study of Spirit Attachment
http://www.badwitch.co.uk/2015/10/shop-wonderfully-wicket-witches-craft.html
http://www.hdparanormal.com/
https://youtu.be/c7cuTZXVdHI
http://www.6th-books.com/

Note: I earn commission from some links. This helps subsidise my blog at no extra cost to readers.

Tuesday, 27 October 2015

Review: The Light Between Us: Stories of the Afterlife

For many pagans, Halloween - or Samhain as we call it - marks the season when the veil between the worlds is thin. As much as being a time to tell ghost stories, it offers an opportunity to try to communicate with loved ones who have passed into the Summerlands.

The Light Between Usis a new autobiography by a psychic medium who, as the saying goes, sees dead people.

Publisher Century says: "Laura Lynne Jackson is a high school English teacher, a wife and mother of three children, and a psychic medium able to converse with souls from the other side. And this is her story."

The Light Between Usis aimed at quite a wide audience - those who believe in an afterlife, those who are curious and open to the possibility that there is more to this life than what the eye can behold, and also at those who are perhaps a little psychic themselves, but have never done much with their gifts.

I read the book while I was laid up in bed suffering from a cold and I not only found it heart-warming - perfect to cheer me up when was feeling grotty - I also found myself nodding in recognition. In particularly, I recognised some of the things that author Laura said about herself when she was learning to come to terms with her psychic gift while she was young.

While I am nowhere near as psychically sensitive as Laura, I do see spirits from time to time, I can sense energy and auras when I try hard, and I have had some contact with loved ones who have passed on - mostly in dreams. When I was a young child, even though I came from a family that believed in such things, it was uncomfortable realising that I wasn't totally normal. I used to sometimes see a ghostly white cat that no one else could see. I learnt not to mention it in case I got teased and in the end it went away.

In The Light Between UsLaura talks about how she tried to be "normal" at school and college. Eventually a visit to a psychic put her on the right track to develop her gift rather than shut it out. She now does pro bono work for the Forever Family Foundation, where she helps parents who have lost children. She has undertaken analysis of her abilities through the Windbridge Foundation, a scientific organisation that studies paranormal phenomena, and had her brain mapped by neuroscientists.

However, Laura’s message in her book isn’t about proving her abilities, it is about sharing an awareness that we are all connected and that there is more than one way of looking at the world.

I enjoyed reading The Light Between Us.If there is one thing I have taken away from it, it is that I should be more confident about trusting my own instincts. Sometimes, what seems like a message from a loved one from beyond the grave, might actually be what it seems.

Links and previous related posts
The Light Between Us: Lessons from Heaven That Teach Us to Live Better in the Here and Now
http://www.randomhouse.co.uk/editions/imprint/century
http://www.badwitch.co.uk/2008/10/how-to-celebrate-samhain.html
http://www.badwitch.co.uk/2015/10/a-dream-of-gifts-and-visit-from-dead.html

Tuesday, 16 October 2012

Event: Victorian Seance at Charles Dickens Exhibition



I've only just heard about an event happening on Thursday evening, which sounds perfect for around the time of Halloween or Samhain and, even better, is free to get in.

This Thursday, London Dreamtime will be at the Cuming Museum in South London performing a Victorian-style seance as part of an exhibition about Charles Dickens and Dickensian London.

Vanessa of London Dreamtime said: "The museum commissioned us to create a new performance piece about a seance as part of their exhibition on Charles Dickens. 'Charles and The Flickering Lights' is a mixture of storytelling and vintage soundscapes, Moog, Ring Modulator etc and, as ever, the whole thing is inspired by our beloved London. Enter another world."

The Cuming Museum is a small musuem in South London with displays that include archaeology, ethnography, social history and natural history items collected by Cuming Family in the 19th Century.

The show is on Thursday 18 October from 6pm-8pm at the Cuming Museum, 151 Walworth Road, London SE17 1RY.

For more details, visit The London Dreamtime website at http://www.londondreamtime.com/London_Storyteller.html and Southwark Council's page on the Cuming museum at http://www.southwark.gov.uk/cumingmuseum

The map at the top shows the location of the Cuming Museum

Tuesday, 11 March 2008

Ghostly image

The photograph to the right was taken by a friend's niece on her mobile phone on Mothers' Day at the baptism of her friend's baby - the main subject of the picture.

What is interesting is the background. There appears to be the blurred image of a the head and shoulder of a man wearing glasses between the camera lens and the plaque on the church wall. Is it a ghost? Is it a reflection? Is it caused by some fault on the camera?

My friend has no idea. He said:
"My first thought was that it was a reflection on the plaque, but it is too large and seems to partially obscure the wreath below.

Apart from downloading it from my phone to my computer and uploading to Photobucket, all I have done is rotate the picture 90 degrees.

I am informed that there was no one behind the woman and baby when the picture was taken."

After my friend posted the picture on the internet, he got a few suggestions as to what it might be.

One person said:

"It's your dad.

"I believe in spiritualism - my parents were spiritualists. I am very sceptical about a lot of the hokum some of them spout but... when spirit wants you to know something they show you."
Someone else gave a more scientific explanation:

"It's a digital 'ghost'. They happen sometimes. Basically it's another image that the phone has captured at some point and has been partially stored in the memory. When it took the photo the camera got confused and combined the two images into one when it stored the photo. It's rare but not unheard of."
A similar suggestion was:
"It appears to be a man in a gray shirt and white dog collar as sometimes worn by CofE vicars and the trendier Catholic priests. I think that it is likely that he walked past as the photo was being lined up and the camera phone (being essentially a video camera that takes stills) recorded several frames of the priest in its temporary memory and, due to a glitch, combined those with the actual picture."

What do you think? Might the image be a ghostly visitor or is it just a trick of the camera?